The success of Baahubali has led to a surge in franchises in Indian cinema, with filmmakers adopting different approaches to multi-part film series. Dhurandhar: The Revenge is following the Baahubali model, concluding its story in two parts, unlike the Pushpa series which has left room for a third instalment.
The Baahubali approach involves planning the narrative arc from the start, ensuring a satisfying conclusion without forced continuations. Director S. S. Rajamouli's Baahubali exemplifies this method, with a clear two-part structure that delivered closure. In contrast, the Pushpa series has left open ends, hinting at a third part, which some viewers feel is somewhat forced.
Dhurandhar's director Aditya Dhar chose not to leave a cliffhanger, instead opting to complete the story in two parts. This decision reflects a refreshing approach, prioritizing narrative integrity over expansion. The team shot both parts together, ensuring a natural conclusion.
The Dhurandhar model may inspire others to prioritize storytelling closure over endless sequels. As franchises dominate Indian cinema, this approach is seen as a breath of fresh air.