Balayya Same Sanskrit Dialogue in All Functions?

Long back, Natasimham Nandamuri Balakrishna mouthed a lengthy Telugu-Sanskrit mixed dialogue on music during the audio launch of Sriramarajyam. Audience were shocked to hear such a lengthy dialogue of Balakrishna on music. Besides, they thought the Natasimham had great command over Sanskrit language and could have learnt many more of such dialogues and slokas.

Later, Balakrishna uttered the same dialogue on music in audio functions of Dictator, Paramaveerachakra, Gauthamiputra Satakarni and Paisa Vasool. Audience thought Balayya had come up with a new sloka every time. As a matter of fact, Balayya delivered the same lengthy dialogue in all audio functions. The dialogue is as follows.

" EENADU EE SANGEETHA, SAHITYA, KALABHIVRUDHDHIKI AADI MOOLAMAINA SAPTHA, SAGARA, SANGHARSHANA GAA JWALINCHE THARANGA MADHUREE SAPTHA SWARAMULAINA SARIGAMAPADANISA SANGEETHA SAHITYA MADHURA GEETHAMULU VINADAANIKI BHASHA BHEDAMU GAANEE, AADA-MAGAA THEDA GAANEE, PANDITHA PAMARADHI PATTU VIDUPULU GAANEE, ABHIMANA DURABHIMAANAMULACHE ADDUGODALU VUNDAVANI NAA NAMMAKAM. AANADU MENAKA SARASA SALLAPA SAHITYA MADHURA SHABDHANIKI SRUSHTIKI PRATHISRUSHTI KI KAARANAMAINA VISWAMITRUDU THAPASSU NUNCHI PRAPANCHA MADHYANIKI VACHCHADU."

Although the dialogue appeared to be highly intense and penetrating, it was felt that the lengthy dialogue could have been divided into fragments and they could have been separated by full stops. Besides, Balayya is requested to change the dialogue on music in next audio function as the same dialogue might turn monotonous.