Cinematographer Kushendar Ramesh Reddy Interview

Kushendar Ramesh Reddy, who gained national recognition for his work in films like Polimera and Razakar, is back with another visually striking film titled Tribanadhari Barbarik, set to release on August 29th. Directed by Mohan Srivatsa and produced by Vijaypal Reddy Adidhala under the Vanara Celluloid banner, the film is being presented by star director Maruthi on Maruthi Team Product. With its teaser and trailer already creating buzz, especially for the visuals and griping narrative, the film has generated high expectations. Interim, cinematographer Kushendar Ramesh Reddy shared his experience working on the project.

 How did the journey of ‘Tribandhaari Barbarik’ begin? 

During the final schedule of Razakar, director Mohan narrated the story to me. I was instantly drawn to it. After hearing the story, I offered suggestions and references on color grading and visual patterns that would enhance the narrative. Maruthi garu appreciated those ideas immensely. That’s how director Mohan, producer Vijay, and I came together and started this project.

What were the major challenges during filming? 

Most of Tribanadhari Barbarik was shot at night and under rain effects. Creating a monsoon atmosphere during summer is no easy task, which was our biggest challenge. Simulating the rainy season in hot weather required a lot of effort. Producer Vijay took a bold step by not compromising on the vision. Despite this being his debut film, he invested in the project with full faith in the story and allowed us to work with a substantial budget.

What are the film’s standout features? 

Each character in Tribanadhari Barbarik has a unique identity. We used distinct color grading for each character, which changes in accordance with their transformation throughout the film. The rain effect scenes are designed to look as natural as possible. Visually, the film is on par with high-quality productions like Tumbbad and 2018 in terms of realism and texture.

What is the core strength of the film? 

The film’s biggest strength is its story. When I first heard the script, I immediately decided to take it on—just like I did with Polimera and Razakar. Every character has significance, and the climax is completely unpredictable. The way it’s structured will leave the audience surprised.

How was your experience working with the cast? 

Udaya Bhanu garu plays a very powerful role in the film. She’s returning to the screen with an impactful performance after many years. Vasishta garu will also be seen in a fresh new avatar. I’ve known Sathyaraj garu since my days working on Baahubali. He is extremely punctual on set. Though we put him through challenging night shoots and rain scenes, he never once complained (laughs).

Are you satisfied with how the film turned out? 

I was able to film Tribanadhari Barbarik exactly how I had envisioned it when I first heard the story. For that, I thank both the director and producer for giving me complete creative freedom. The producer never hesitated to spend where needed. He was on set every single day, constantly motivating the team by saying, “We believe in the story, the film has to come out well.” Having such a committed producer is what made it possible for me to bring the film to life just as I visualized.

What can the audience expect from the story? 

People often say that Telugu cinema doesn’t produce enough content-driven films and look to Malayalam cinema for that. But Tribanadhari Barbarik is here to prove otherwise. This is a rare kind of film in Telugu, deeply rooted in content, with strong characters and storytelling that will surprise the audience.

What’s next for you? 

I recently wrapped up a film with Allari Naresh titled 12A Railway Colony, which will be released soon. Polimera 3 will also begin shooting shortly. I will continue collaborating with director Anil garu on upcoming projects. I'll be working as a cinematographer for a new film titled Kamakhya with some other director.