Sharatulu Varthisthai, starring Chaitanya Rao and Bhoomi Shetty, is appealing to all with its youthful content. Directed by Kumara Swamy, the film is set to release on March 15, 2024. Let's see how Sharatulu Varthisthai entertains movie lovers.
Sharatulu Varthistayi story is all about a middle class government employee and how he runs his family with his meagre income and handles deftly his personal and professional problems. Chiranjeevi (Chaitanya Rao Madadi) who works as a temporary employee in the Power Department, Karimnagar is in love with Vijayshanti (Bhoomi Shetty).
Finally they enter into wedlock with their parents agreeing reluctantly. How their personal life changes and what is its impact in Chiranjeevi's professional life, how these are connected to his mother Lachchavva (Padmavathi), sister Sreeja (Shruti), brother Charan( Nabeel Afridi), his boss Harikrishna (Nandakishore), friends Sudhakar(Sai),Rajesh(Venky Monkey) and Sunny (Shiva Kalyan) and Basti leader Shankar Anna(Santosh Yadav) form rest of the developments.
Chaitanya Rao shines in his portrayal of a middle-class youngster, effortlessly balancing his personal and professional life. Known for excelling in such roles, Rao's performance is a testament to his versatility. His natural body language, subtle mannerisms, expressive face, and realistic dialogue delivery add depth to his character.
Bhoomi Shetty delivers a convincing performance as a girl with dreams of a happy married life, reminiscent of her previous roles where she portrayed characters with similar aspirations. Padmavathi is convincing as the typical mother, while Shruti and Nabeel Afridi excel in their roles as the sister and brother, respectively.
Santosh Yadava's portrayal of Shankar Anna is noteworthy, adding authenticity to the character. Nandakishore is well-suited for his role as a government superior. Sai, Venky Monkey, and Shiva Kalyan are convincing in their roles as friends, contributing effectively to the storyline.
Overall, the cast performs admirably, each actor bringing their characters to life with skill and dedication, enhancing the overall realism of the film.
The storyline of Sharatulu Varthistayi, directed by Kumara Swamy, fails to offer anything innovative. It follows a predictable narrative, focusing on the struggles of the middle class and their susceptibility to get-rich-quick schemes, ultimately leading to their exploitation. Unfortunately, the plot feels outdated, and both the screenplay and direction lack creativity, presenting the story in a routine and monotonous manner.
The first half of the film includes some romantic and family scenes, intertwined with the introduction of the easy money scheme. The second half shifts focus to the victims' attempts to uncover the perpetrators behind the scheme. However, the film's narration remains predictable throughout, culminating in a lackluster ending.
Gajjala Rakshith Kumar's editing leaves much to be desired, with several repetitive scenes and dragging sequences that test the audience's patience. On the positive side, Praveen Vanamali's cinematography captures the essence of Karimnagar locations beautifully. Prince Henry's background score is decent, and the music by Arun Chiluvuru and Suresh Bobbili is passable. However, the production values fall short of expectations.
Overall, Sharatulu Varthistayi struggles to offer a fresh perspective, relying heavily on clichés and failing to engage the audience effectively.
Altogether, Sharatulu Varthisthayi delves deep into the world of easy money schemes, a subject often touched upon briefly in other films. However, the director's decision to make this the central theme of the entire story proves challenging. The plot, though simple, struggles to sustain interest for its three-hour duration, leading to the inclusion of unrelated romantic and comedy scenes that fail to resonate with the audience. The serial-like narration and substandard production values further detract from the film's impact. Taking all these aspects into consideration, Cinejosh rates Sharatulu Varthisthayi with a 1.5, indicating a lackluster performance.